Aimee Mann's solo career typifies the struggle of musicians
to survive in an increasingly market-driven industry. Despite
the prodigious songcraft evident in her UK Top 40 album
'Whatever', she found herself without a record-deal throughout
much of the '90s. It was not until her breakthrough compositions
for the film 'Magnolia' earned her an Oscar nomination that
she started to enjoy success once more
Pride
Of Manchester's Pick of the Day
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